Identification of art pieces, antique figurines, antique furniture, reproductions, antiques and collectibles

Collectors of fine art prints, antique figurines, antique furniture, rugs, chinaware, and antique furniture reproductions take their collections seriously and enjoy seeking out new additions. There are usually a few hurdles along the way including forgeries, reprints and other scams.

If you are planning on becoming a collector of antiques, it is useful to remember the following points:

• Knowledge is power: the more you read about and research the items you are interested in the better you are equipped to deal with the seller.
• Do not assume that if something is expensive it is genuine.
• Get second opinions and expert advice on fine art prints, antique figurines, antique furniture, rugs, chinaware and antique furniture reproductions.
• Start small by buying inexpensive items, this gives you a feel for copies and reproductions before you start paying more for fine art prints, antique figurines, antique furniture, rugs, chinaware, and antique furniture reproductions.
• Acquaint yourself with a few antique sellers and get to know them. They will be happy to share their knowledge about genuine antiques and their authenticity guarantee and return policy of fine art prints, antique figurines, antique furniture, rugs, chinaware, and antique furniture reproductions.
• Go online for sellers with good reputations and plenty of information on fine art prints, antique figurines, antique furniture, rugs, chinaware, and antique furniture reproductions.
• Pay attention to the color, physical nature, style, visible stamps and provenance of fine art prints, antique figurines, antique furniture, rugs, chinaware, and antique furniture reproductions.

Black light is a useful tool in judging the identity and age of fine art prints, antique figurines, antique furniture, rugs, chinaware, and antique furniture reproductions. Black light is a form of ultraviolet light invisible to human eyes. UV light is useful because

• Glass of different types and ages fluoresces differently in black light
• Black light creates different colors of fluorescence which can be used in identification of the age of fine art prints, antique figurines, antique furniture, rugs, chinaware, and antique furniture reproductions.

Identifying modern reprints and forgeries of antique documents and other paper ephemera with black light

Black light can identify many fine art prints, antique figurines, antique furniture, rugs, chinaware, and antique furniture reproductions and other paper items that contain optical brighteners. In a dark room and under black light, optical brighteners will usually fluoresce a very bright light blue or bright white.

Starting in the late 1940s, manufacturers of many products began adding optical brighteners and other new chemicals to their products. Optical brighteners are invisible dyes that fluoresce brightly under ultraviolet light. They were used to make products appear brighter in normal daylight.

Optical brighteners were added to

• Laundry detergent and clothes to help remove stains and to toys to make them more colorful.
• Almost all white papers stocks.

Historical documents

White paper is treated with fluorescent compounds to help it appear brighter and whiter. Sometimes forgery of historical documents can be detected by placing them under a black light to detect the presence of brighteners which were added to paper after 1950. Older paper does not contain these brighteners.

Black light is helpful in identifying many types of restoration and alterations to fine art prints, antique figurines, antique furniture, rugs, chinaware, and antique furniture reproduction

• Fine art prints, antique figurines, antique furniture, rugs, chinaware, and antique furniture reproductions altered by the addition of paper, glue, paint, varnish and/or other material that fluoresces differently and can therefore be identified as having been altered, repaired or forged.
• To identify alterations to fine art prints, antique figurines, antique furniture, rugs, chinaware, and antique furniture reproductions one should also look for differences in texture, gloss, and opacity. When an art print is held at an angle nearing 180 degrees to a light, the added paint, ink or paper will often have a different texture and gloss from the rest of the card surface. The added material may also be physically raised from the rest of the surface which can be felt with the finger tip.

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